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Posts Tagged ‘Lorenzo Pisoni’
It’s not every day that a production calls for 1208 red balloons, scuba flippers, and a shaman mask. But then again, Lorenzo Pisoni and Erica Schmidt’s Humor Abuse, currently in its last week of performances at Seattle Rep, is a unique piece of theatre. It revisits Lorenzo’s eccentric childhood of growing up in the circus and explores his relationship with his father, the king of clowns, Larry Pisoni. And as Lorenzo explains in Humor Abuse, props such as hats and steamer trunks are beloved objects for vaudeville clowns and performers like his father. We decided it’s time to give these unusual and essential objects a moment in the spotlight. Here’s the prop list for Humor Abuse, courtesy of the show’s production team.
One of the joys of being an urban parent is the sheer volume of cultural things available to do with your children—museums, concerts, festivals, and, of course, theatre. Sometimes, it’s an absolute embarrassment of riches—as is the case with October in Seattle.
A week ago my husband and I took our 6-year old son Owen to see the Seattle Children’s Theatre (SCT) season opener – a musical version of Harold and the Purple Crayon, which plays until Oct. 30. As always, we wondered how a slight book could be transformed into a full stage show. Turns out it takes a lot of amazing set designs (created by Matt Smucker, designer for Seattle Rep’s upcoming Circle Mirror Transformation), inspired animation, groovy projections (provided by L.B. Morse, the Rep’s Associate Designer), puppets, and some seriously funky music. (Really. Think George Clinton and Parliament Funkadelic, except kid friendly).
It also helps when your lead actor is Don Darryl Rivera, a hilarious veteran of SCT productions like If You Give a Mouse a Cookie, and The Brementown Musicians. Husband and son loved Harold’s space adventures with the above-mentioned funk, while I was a fan of the iconic pie sequence with moose and porcupine, complete with French accents.
On Friday, we followed up that theatre excursion with Owen’s first official Seattle Repertory Theatre production, Humor Abuse, which plays until Oct. 23. At first, he was skeptical. This is an adult theatre, would it be inappropriate? (His word choice, not mine).
Outside of one risqué joke in the very first minutes (over his head), the answer is no. Imagine hearing a true story about a boy your age performing in the circus. That’s pretty cool, especially when it is illustrated by some amazing physical comedy – tumbling down stairs, stapling your feet, falling through the floor. Words do not do justice to how funny a 6-year-old boy can find those types of antics.
From a parent’s point of view, the show is a bittersweet coming of age story. If my son came away with any lessons, I think it would be that parents are human – they sometimes make mistakes, but they always love you. And doing something well takes practice. Owen’s summary: “He [actor Lorenzo Pisoni] sweats a lot. I wished he fell down the stairs again. And, (taking a cue from the end-of-show projections encouraging audiences to spread the word) – Let’s tell everyone we know to go!”
Flushed by the success of Friday night’s entertainment, I coerced Owen to join me at the Rep’s Circus 101 family event on Saturday. More than 70 children arrived at the Rep to take part in a variety of workshops facilitated by Teatro ZinZanni’s Camp ZinZanni. Participants learned the fine act of juggling, balloon animals, magic, and physical comedy. Owen was entranced by the balloon tricks (couldn’t budge him for more than half an hour, an eternity in kid-time), and we left the event with an Owen created balloon sword and balloon dog, as well as a clown certificate, the de rigueur clown nose, and a sense of the community where Mom works. Not bad. Not bad at all.
The answer is…practice, practice, practice! On Saturday, the Seattle Rep lobby was filled with kids and their families eager to participate in Circus 101, a free circus workshop held by Seattle Rep and Teatro ZinZanni. They learned juggling, physical comedy, magic tricks, and even how to create balloon animals.
The event also included face painting and a clown graduation for all of the children.
Special guest speaker, comedian and Teatro ZinZanni original cast member Kevin Kent shared stories about the circus and life as aperformer.
Even Lorenzo Pisoni, the star of Seattle Rep’s Humor Abuse, attended Saturday’s event to support the kiddos. Unfortunately, we didn’t snap a photo of him before he left to get ready for the show.
And of course, clown graduation included a diploma and a big red nose. The staff had just as much fun as the kids wearing the noses afterwards!
A young man runs away from home to New York City at age fifteen. A string of jobs land him in a nightclub where he meets acrobats, jugglers, and other performers. He starts learning acrobatics and juggling on weekends. He’s pretty good. Then one day he leaves NYC and heads to San Francisco. He calls up a theatre troupe and says, “Here I am, and I’m going to teach you circus skills.” They dig it. In a few years, he starts his own circus and creates a legacy.
In anticipation of Seattle Rep’s opening production of Lorenzo Pisoni and Erica Schmidt’s Humor Abuse, a play that explores Lorenzo’s relationship with his father and his experience growing up in his father’s Pickle Family Circus, we sat down with the man behind it all—Larry Pisoni, Lorenzo’s father.
We’re happy to announce many of the very talented artists who will be on stage and behind the scenes for the coming season.
Actors include many Seattle theatre stalwarts, including Nick Garrison, Michael Patten, and Alban Dennis; some up-and-coming local actors like Conner Toms; and nationally renowned performers Linda Gehringer, Lorenzo Pisoni, and Denis Arndt.
“Keeping ‘Seattle’ in ‘Seattle Rep’ has been my mantra for my tenure so far as artistic director,” said Seattle Rep artistic leader Jerry Manning. “This season showcases some of the city’s best, and also brings in a few of our favorites from out of town to play with the amazing talent we have here. I can’t wait to see what these artists are going to create on our stages.”
Behind the scenes, designers and directors are largely Seattle artists. Most notably, actor R. Hamilton Wright will make his Seattle Rep directorial debut with Sylvia, revisiting a play he acted in at Seattle Rep in 1996.
Manning has also announced that costume designer Constanza Romero will become Seattle Rep’s artist-in-residence for this season. In addition to designing for Clybourne Park, she will participate in the season planning process and serve as a community ambassador. Most recently, Romero designed for Seattle Rep’s The Brothers Size and Dancing at Lughnasa. She was nominated for a Tony Award for her design of Fences on Broadway, a play by her late husband, August Wilson, also a long-time Seattle Rep collaborator.z
The season kicks off Sept. 30 with Humor Abuse, starring Lorenzo Pisoni. Pisoni appeared in Seattle Rep’s Tuesdays with Morrie and The Great Gatsby. On Broadway he was in Equus. He also performed with Cirque du Soleil.z
Single tickets go on sale Aug. 23 online at www.seattlerep.org or through the Box Office at 206-443-2222 (Toll-free 1-877-900-9285). Prices start at $15 (or $12 for ages 25 and under). Season tickets are available now.
The full season’s artists are as follows:
Humor Abuse BAGLEY
created by Lorenzo Pisoni and Erica Schmidt, directed by Erica Schmidt
Sept. 30-Oct. 23, 2011
Starring Lorenzo Pisoni
Circle Mirror Transformation LEO K.
by Annie Baker, directed by Andrea Allen
Oct. 21-Nov. 20, 2011
by A.R. Gurney, directed by R. Hamilton Wright
Nov. 11-Dec. 11, 2011
How to Write a New Book for the Bible BAGLEY
by Bill Cain, directed by Kent Nicholson
Jan. 13-Feb. 5, 2012
I Am My Own Wife LEO K.
by Doug Wright, directed by Jerry Manning
Feb. 3-Mar. 4, 2012
by John Logan, directed by Richard E.T. White
Feb. 24-Mar. 18, 2012
Or, LEO K.
by Liz Duffy Adams, directed by Allison Narver
Mar. 23-Apr. 22, 2012
Clybourne Park BAGLEY
by Bruce Norris, directed by Braden Abraham
Apr. 20-May 13, 2012